WORTH
MENTIONING:
I think the superior value of Kato trains is undisputed.
Other trains are harder to delineate.
While I love Intermountain for
their detail and slow running, many people think Atlas trains are better built.
This may be true, and Atlas has a good selection.
It's also worth
mentioning Red Caboose. They, like Intermountain, make incredibly detailed N
scale models.
COUPLERS
One more thing that's very important is
couplers, the things that hold the trains and cars together on the
track.
RAPIDO vs. KNUCKLE COUPLERS
Cheap Bachmann equipment comes
with Rapido style couplers. Don't waste money buying this equipment. Instead,
study the different knuckle couplers available: Microtrains, Kato and others.
While knuckle couplers are somewhat interconnecting, it's best of have one
style coupler for all your cars.
DIFFERENT KNUCKLE COUPLERS
I
have mostly Kato equipment. Kato couples are fussy to work with, especially the
cushioned couplers on the Bethgon Coalporter cars. On a thirty car train it's
good to have the shock absorbers, though it detracts from
realism.
layout_photos_coming so you can see what imperfection looks
like.
"It's OK to be perpetually in
progress..."
A LITTLE JOKE AT PURITY'S EXPENSE
Purists and
realism -- worthy goals, and worthy targets of a little humor -- poking fun in
the "let your hair down" style.
I refer repeatedly to purists and
realism. I mean to poke fun at purists in a friendly, fraternal way.
At
the same time, unless your really into model railroading purely for the
modeling aspect, perfection is only an appropriate goal for perfectionists. For
the rest of us, just running trains around the track is satisfaction
enough.
RAILROADING AS NOSTALGIA AND ART
One domain I have
registered truly summarizes my approach to trains and model
railroading: trainarts.com
THE ART OF
TRAINS
My approach to model railroading stems from my interest in art,
trainwatching, train photography and my nostalgia for the miles I rode around
the country on Amtrak.
It's a bit like listening to the radio vs.
watching television. TV is great but it requires less imagination and
creativity to watch TV. Radio is theater of the mind. From the old Classics
like the Shadow, Gunsmoke and Jack Benny to modern talk radio, you get to make
up the images based on the limits of your imagination.
SWITCHING
SCHMITCHING
Since I have no operational background in railroads, I place
virtually zero emphasis on realistic operations beyond mainline
operation.
While I have many switches, there are only enough sidings to
keep extra trains off the mainline. I like modeling landscapes more than
cities, and I don't focus on scheduled operation.
One friend of mine
came over to see my layout-in-progress. He got it right away. Instead of
commenting on the unfinished condition, he noticed the sound immediately.
I don't mean the realistic sounds of trains, I don't have that yet. He
and I both noticed that the native sound of model trains running on tracks is
soothing. Maybe it's because I'm from California, but it's a Zen thing. It's
like raking gravel in a Japanese garden -- you do it for the sake of doing it
as much as for the finished product.
Another angle of attack for me is
that my model railroad is an art project in three dimensions. One a future
page, I will talk about how to integrate traditional art techniques into your
layout.
NO SOUP FOR YOU! NEXT! or IT'S OK TO SAY
'kay-toh
Since Kato trains are Japanese, and Japanese has roughly the
same pronunciation as Spanish, Kato should be spoken to rhyme with "grotto."
If you are in the presence of a train purist, you may want to say
"Kah-toh." Really cool train store people don't care how you say it, and
probably say "Kay-Tow" themselves.
That was a joke, Tom. |
SCALE
Scale is pretty
easy. Using a big scale like O makes it hard to run long trains cheaply. Think
about it, an O scale layout takes up sixteen times the space of an N scale
layout. The downside of N scale is that it's small. It may not satisfy people
who really like modeling specific rolling stock. N scale is my favorite because
of two things: space limits and long trains. One of my prime goals is running
long trains. I have a 32-car coal train with three Kato UP locomotives. It's so
cool! (To me.)
There's really not a whole lot more to say but this: HO
is the most common scale, has the most fans and the most accessories available.
If you can, go HO. HO is big enough to have a real presence and quality of
realism that just isn't possible in N scale.
Just remember, unless you
have a 20' x 20' room and a big budget, it's much harder to run trains that
model new unit trains with auto carriers, containers or coal cars. This is
really a personal decision -- for example, if you have arthritis, you should
stay away from N scale. Me, I love N scale, again, for the ability to run
thirty car trains in a 10'x10' space.
BENCHWORK
You need to make
some decisions about your railroad. How will you build the tables or benches
that hold the track and scenes up? While some articles show the use of 1"x1"
sticks, and I have used this material for other projects, a railroad is
sensitive. A simple bump can knock rolling stock off the track.
If you
are perfectly graceful and will never bump into your project, then why not just
hang the layout from the ceiling on high-test fishing line? No, for me, over
200 pounds and klutzy, I chose to use 2"x4"s and Simpson Strong Tie plates.
While carpentry purists use nails, I want future flexibility so I use screws.
It doesn't take many 2"x4"s to support a lot of weight, so need fewer legs than
with smaller sticks.
If you are building your first layout you may want
to spend a few hours at the local home store taking a fresh look at materials.
In the end, I built my layout using stiff foam board from Dow. While my frame
needed to be sturdy, I live in a condo and my back is pretty bad. I'd be paying
in pain later for carrying 4'x8' plywood, so the foam board works well. There
are many types of foam, look in the roofing materials section. Some made from
compressed foam pellets make a big mess when cut, avoid them. Use extruded
foam.
When I picked out the 2"x4"s, I specifically chose the fully dried
pieces. They are much lighter, and if your back is like mine you want to get
the fully dried pieces. Excepting my affinity for drywall mud, I always look
for the lightest materials for the surface of my layout. Your personal
circumstances will dictate your choices.
HOW HIGH IS HIGH
ENOUGH?
One big decision is how high to build your layout?
While
many people build layouts only 30" from the ground, mine is at 55". There are
three reasons for this. First, bending over a low layout would kill my back.
Second, I'm six feet tall and enjoy looking out across my layout, instead of
down on it. Most important, due to lack of space, this high layout allows me to
have a workbench, computers and a desk underneath. It may be weird but it's
very practical. I basically build my layout over my office.
If you are
building your layout with your kids, I would suggest you build it low. If you
want to keep your kids away from it, then the 55" option makes more
sense.
THE PRIME MATERIAL -- TRACK
My best advice to a new model
railroader is to build a solid roadbed. While some may jump directly to
flextrack and cork roadbed, it's really not much cheaper than Kato track. I
don't like any other brand for prefab track. Bachmann sucks and others don't
have the roadbed built in.
While snap-together track may not satisfy
your sense of purism, it allows you to try many different layouts before
settling on a final version. Once you ballast the track in place it's hard to
go back!
Finally, there's a lot of expert discussion about track code.
Leaving out the numbers, purists go for shorter track because it's more
realistic. These are the same people who put z-scale couplers on N-scale
equipment for realism. I'm not knocking them, I'm just not there, and may never
get there. I suggest, especially for your first layout, to use the taller
track. There's more clearance so equipment will run better and ballasting will
be easier.
Good locomotives can make up for a lot of other
imperfections. Having said that, buy Kato track too. Bachmann track is popular
but typically more expensive than Kato track. The only reason to go with
flextrack, in my humble opinion, is to model modern rail which is 1400 feet
long and welded. Getting away from jointed track and having the freedom of
flextrack is worth it, I just prefer the practicality of Kato
Unitrack.
KATO LOCOMOTIVES RUN ON NEARLY ANY TRACK
My second best
advice to new model railroaders: spend the bucks on good motive power. Great
locomotives will pull cheap cars, and not the other way around. Great
locomotives will run on bad track, and not the other way around.
My
first trainset was a Bachmann trainset. In short, what cracks me up is that
Kato trains run on any kind of badly installed track, whereas Bachmann trains
have a hard time even on good track.
Remember, I am not striving for
perfection. If you're like most people you will try and try again to get it
right. While landscaping projects can go undone indefinitely, it's important to
have locomotives and track that run well. Trust me, spending a lot of time on a
railroad that derails trains is NOT satisfying. Your layout may be in chaos,
but if you can still run a train around the track it's a lot more
fulfilling.
FRIENDS DON'T LET FRIENDS BUY BACHMANN
You may be
tempted to skimp on money when buying locomotives. Remember, friends don't let
friends buy Bachmann locomotives. Having said that, there are many other brands
of locomotives, and some may serve you well.
I will sell only Kato
products because I really believe in them. Many other companies make
locomotives: Atlas, Athearn, and Intermountain are well known. You ultimately
may have to stray from Kato to get the exact model you want. Based on my
experience, nothing else runs like a Kato locomotive. If it's possible, buy all
Kato trains.
The only other brand I like is Intermountain. They run
slower than Kato trains so they won't run with my Katos on my DC layout. I
could install a resistor on the Katos to slow them down, but I haven't. The
Intermountains are geared better -- with a good throttle and great track, they
really creep along well, while the Katos surge a bit, making the long coal
trains surge.
The number one reason to run Intermountain over Kato is
realism. I choose not to use Intermountain for the same reasons others do
choose Intermountain: the models are so realistic they are delicate. They're
much harder to pick up and put down. They will break more easily if you bump or
drop them or crash them on the track. The are more finicky. At the point of
repetition, if you're not a purist and you want trains that run really well,
buy Kato.
The Atlas and Athearn locomotives I bought just sit on a shelf
on a display track. The cheaper locomotives just don't run consistently well
enough on my imperfect track to be usable.
COLOR MATCHING VARIES AMONG
MANUFACTURERS
Another reason to stick mostly with Kato (or any one
manufacturer of your ultimate choice) -- colors. Different train builders have
different ideas about colors. Kato tends to be brighter than the real thing,
but I like their paint. Purists tend to like Intermountain, aside from superior
detail, for their muted colors and more realistic look.
THE HERESY OF
NOT WEATHERING MY EQUIPMENT
To weather or not to weather? It depends on
what effect you're after. I commit the heresy of having no intent to ever
weather my models. Many do intend to weather their models, in which case
Intermountain may be the way to go.
MATCHING DIFFERENT MANUFACTURERS
TRAIN SPEEDS
One factor to consider is that different manufacturers
trains run at different speeds given the same throttle setting. Unless you run
a speed matching DCC system, you will be limited to running like trains with
like trains. If you put a slower train with a faster one, the faster one will
slip its wheels and over time the track and train will wear out. In the short
term, the two locomotives may separate on sharp corners.
SHARP CURVES
AND SIX-WHEEL TRUCKS
Speaking generally, in N scale, curves of 15"
radius or more will run all equipment and will look good. Many longer cars like
passenger cars, autoracks and
intermodal
container cars may
run on smaller radius track but won't look good, and you'll need a lot of
trackside clearance to accommodate the overhang.
I have found that in N
scale, the tightest curves will not accomodate longer cars or bigger road
locomotives. While the Amtrak Genesis P42 Kato locomotives run nearly anywhere,
they only have two axles per truck. Most road locomotives have three axles (or
six wheels) per truck. Even if these locomotives run on sharp corners by
themselves, you will have three problems running long equipment on tight
curves.
First, it may not look good, because of the previously mentioned
overhang. Second, while in the short term the locomotive may run OK, in the
long term the worm gears and gears on the trucks will wear prematurely because
the trucks turns at too much of an angle. The gears in the trucks can only
swivel so far before they suffer excessive wear, slipping, or, under heavy
trainloads, they may just strip out on you.
KEEPING THE TRAIN ON THE
TRACK
The third reason not to run big locomotives on tight curves is
operational. If you run long three-axle locomotives with short cars like coal
cars, when the train enters the corner the back of the locomotive may move so
far off the track center that the first car behind it will derail to the
outside of curves.
I have found that when running multiple locomotives,
keeping them pointed forward typically makes the back of the locomotive
overhang less, and will accomodate shorter cars directly attached to the
locomotive.
If you have a long unit coal train that won't stay connected
to your big locomotives, cheat and put a couple of longer boxcars between the
coal cars and the locomotives. Even within locomotives, you may not have full
flexibility turning the B unit around backwards. I learned trying to fit a GP40
Amtrak locomotive in with two Genesis P42 Amtrak locomotives.
While I'm
talking about smooth running trains, I must put the Amtrak Superliner coaches,
sleepers, diners and observation cars high on the list of well behaved trains.
The Amtrak smoothside baggage cars between the locomotive and the front sleeper
will make train less stable on steep tight curves, and may need to be located
at the rear of the train.
A SPECIFIC EXAMPLE.
I have my Christmas
track setup and ballasted with broad Kato curves on the outer loop, and tight
Kato curves on the inner folded dogbone. With a thirty car coal train the two
Intermountain locomotives must work hard to pull the train through multiple
curves. Just today I walked up to the layout and the Intermountain train was
making a noise like it was derailed, but it was still moving.
On closer
inspection, it turns out the worm gear is slipping inside the locomotive. I
have to repair this and shorten the train so it has less drag. Solution for
now? Shorten the train on the sub-10" N-scale curves with swithbacks and run
with just one Kato AC4400 with Operation LIfesaver on the
side.
IT'S ACTUALLY LIKE RUNNING THE REAL THING!
To finish up
this article, let me relate a conversation I had with a Union Pacific engineer
I met once. He said that he could teach me how to drive a locomotive alone in
one day, but driving a full length train is a totally different story. Many of
the issues that affect real railroads occur on model railroads too.
If
you have a great long train but the grade is too steep, you may suffer
separations just like the real thing. Going down grades, you'll have the whole
train pushing your locomotives, with the engines acting more like brakes.
Remember, your model trains don't have the benefit of air brakes or dynamic
brakes. Long model trains on downgrades with curves may well push the
locomotives off the track. |